Emotional Intelligence Plays a Vital Role - Free Essay Example

Sample details Pages: 2 Words: 695 Downloads: 8 Date added: 2019/05/06 Category Psychology Essay Level High school Tags: Emotional Intelligence Essay Did you like this example? Emotional Intelligence plays a vital role in our everyday lives and in the field of Social Work. Tony Morrison quotes Golemans definition of Emotional Intelligence as being able to motivate one-self and persist in the face of frustrations; to control impulse and delay gratification, to regulate ones moods and keep distress from swamping the ability to think, to emphasize, and to hope. (Morrison, 2006) In other words its all about being aware of yours and others emotions and knowing how to control yourself when in a heightened state of emotion. Don’t waste time! Our writers will create an original "Emotional Intelligence Plays a Vital Role" essay for you Create order Emotional Intelligence is relevant to the Social Work Field in a variety of different ways. Because it is a very social and engaging field, Social Workers should utilize Emotional Intelligence on a daily basis. Often, there are stressful situations that workers will encounter and must practice some form of Emotional Intelligence. Stressful situations can arise from dealing with clients, court hearings, visits, medications, appointments, and etc. If a worker can have complete control over their emotions, it can allow them to do their job effectively. Emotions contribute to our thoughts and actions which plays a major role in our decision making. The Five DomainsAccording to Wang in the Journal of University Teaching Learning Practice, Emotional Intelligence is broken down into five different domains. These domains consist of Relationships, Tolerance, Flexibility, Self-Management, and Emotional Awareness. (Wang et al.; 2012) All of these five domains play a role in our everyday lives and Its important to understand how these domains relate to the field of Social Work. RelationshipsThe skills needed for relationships are as follows, motivate, inspire and guide others; take an active role in developing other peoples talents; and resolve disagreements among others. (Wang et al.; 2012) Social Work is all about dev eloping relationships so in my opinion this is the most important domain. Every day social workers must help people in need so developing a solid rapport with people is important. If a workers client trusts them they will allow their worker to help them. Social workers work timelessly to help build skills within people to complete tasks of their everyday lives. They are always trying to solve the daily problems in their clients lives and will also try to repair the broken relationships in those lives as well.I believe I do an excellent job in this domain. My relationships with my significant other, family, friends, colleagues, clients, and classmates all mean very much to me. I need all of these relationships in order to be successful. The one skill I excel at within relationships is resolving disagreements. I dont like when issues arise, and I try my very best to resolve any conflict so that we can move forward. One skill I can become better in is taking a role in developing others talents. I can try a little harder to help motivate the people in all of my relationships to help them become a better them. ToleranceTolerance is the second skill listed for the d omains. Wang says that tolerance includes skills to: interact constructively with others whose values, goals, perspectives or cultural identities differ from ones own; respect others perspectives; work with others who are different; accept criticism of ones own performance; and take up new challenges. (Wang et al.; 2012) This is another huge component of Social Work. It is important that social workers are open to learning about cultures. The world is so diverse and populated with so many people, there will always be a client that is different. Tolerating others cultures and opinions about certain subjects can help build a trusting and stable relationship. It is also helpful to listen to others because their culture and opinions can teach and help workers understand them better.I believe I can work on this skill. I do think that I tolerate others opinions and culture well, but a lot of times I dont agree with them and believe it should be changed. My goal should be to understand and not to change.FlexibilityThe definition of Flexibility from The Journal University Teaching Learning Practice says that flexibility includes skills to: perceive and comprehend anothers expectations and adjust ones own goals and behavior accordingly. (Wang et al.; 2012)

The Pax Gene Family Encodes For Highly Conserved Dna...

Introduction The Pax gene family encodes for highly conserved DNA-binding transcription factors that play a vital role in embryonic development. All Pax proteins have a paired-box, DNA-binding domain of 128 amino acids located at the amino-terminal end, and is very highly conserved in Drosophila melanogaster, human, and mouse genes (Mansouri et al. 1996). Each different paralogous Pax gene has a crucial role in D. melanogaster and vertebrate development in terms of morphogenesis, organogenesis, cell differentiation, and oncogenesis (Mansouri et al. 1996). However, in this paper, the importance of Pax6’s discovery, mutations, and signaling pathway will be emphasized. It is worthy to note that Pax6 does not operate in a hierarchical linear signaling pathway but instead, in a massive network with numerous feedback loops. It is impossible to cover all possible feedback loops; therefore, the focus of the signaling pathway will be on the lens placode. The Pax6 gene was originally fo und in D. melanogaster corresponding to the eyeless locus (Mansouri et al. 1996). While Pax6 is most famous for its function eye development, it is also prevalent in the pancreas and nervous system development. Since Pax6 encodes a transcription factor that is involved in so many developmental pathways in the eye, pancreas, and nervous system, there is a wide spectrum of defects (Davis et al. 2008). The most common defect is aniridia (absence of the iris) which occurs due to a nonsense mutation

Santa Or Satan Essay Example For Students

Santa Or Satan? Essay To Whom It May Concern:I regret to inform you that, effective immediately, I will no longer be able to serve Southern United States on Christmas Eve. Due to the overwhelming current population of the earth, my contract was renegotiatedby North American Fairies and Elves Local 209. I now serve only certain areas of Ohio, Indiana, Illinois, Wisconsin and Michigan. As part of the new and better contract I also get longer breaks for milk and cookies so keep that in mind. However, Im certain that your children will be in good hands with your local replacement who happens to be my third cousin, Bubba Claus. His side of the family is from the South Pole. He shares my goal ofdelivering toys to all the good boys and girls; however, there are a few differences between us. Differences Such As:There is no danger of a Grinch stealing your presents from Bubba Claus. He has a gun rack on his sleigh and a bumper sticker that reads: These toys insured by Smith and Wesson. Instead of milk and cookies, Bubba Claus prefers that children leave an RC cola and pork rinds or a moon pie on the fireplace. And Bubba doesnt smoke a pipe. He dips a little snuff though, so please have an empty spit can handy. Bubba Claus sleigh is pulled by floppy-eared, flying coon dogs instead of reindeer. I made the mistake of loaning him a couple of my reindeer one time, and Blitzens head now overlooks Bubbas fireplace. You wont hear On Comet, on Cupid, on Donner and Blitzen when Bubba Claus arrives. Instead, youll hear, On Earnhardt, on Wallace, on Martin and Labonte. On Rudd, on Jarrett, on Elliott and Petty. Ho, ho, ho! has been replaced by Yee Haw! And you also are likely to hear Bubbas elves respond, I herd dat!As required by Southern highway laws, Bubba Claus sleigh does have a Yosemite Sam safety triangle on the back with the words Back off. The last I heard it also had other decorations on the sleigh back as well. One is Ford or Chevy logo with lights that race through the letters and the other is a caricature of me (Santa Claus) going potty on the Tooth Fairy. The usual Christmas movie classics such as Miracle on 34th Street and Its a Wonderful Life will not be shown in your negotiated viewing area. Instead, youll see Boss Hogg Saves Christmas and Smokey and the Bandit IV featuring Burt Reynolds as Bubba Claus and dozens of state patrol carscrashing into each other. Bubba Claus doesnt wear a belt. If I were you, Id make sure you, the wife, and the kids turn the other way when he bends over to put presents under the tree. And finally, lovely Christmas songs have been sung about me like Rudolph The Red-nosed Reindeer and Bing Crosbys Santa Claus Is Coming to Town. This year songs about Bubba Claus will be played on all the AM radio stations in the South. Those song title will be Mark Chesnutts BubbaClaus Shot the Jukebox; Cledus T. Judds All I Want for Christmas Is My Woman and a Six Pack, and Hank Williams Jr.s If You Dont Like Bubba Claus, You can shove It. Sincerely Yours,Santa ClausMember of North American Fairies and Elves Local 209BibliographynoneSupernatural Issues

Robert Altman. Global Popular Culture

Throughout the course of recent decades, the rise of a global popular culture and the manner in which it is being reflected by movies have been discussed from a variety of different sociological perspectives.Advertising We will write a custom critical writing sample on Robert Altman. Global Popular Culture specifically for you for only $16.05 $11/page Learn More As a rule, the individuals that discuss this particular socio-cultural phenomenon do agree that the emergence of such a culture has been dialectically predetermined – that is, the very of laws of history created objective preconditions for people to grow increasingly cosmopolitical, which in turn causes them to relate to the global culture’s presumed values emotionally. At the same time, however, there is a specific rationale in believing that the very process of a perceptual cosmopolitization inevitably results in them becoming ever more intellectually marginalized and consequently , in growing dispossessed of certain psychological qualities, which allowed their ancestors to ‘fuel’ the ongoing socio-technological progress (Elhefnawy 2007). Therefore, it can be well suggested that many of the contemporary Hollywood (British) films do in fact contain some themes and motifs, which suggest that, as of today, the Western civilization is being rapidly deprived of its former vitality, in the figurative sense of this word. The reason for this is simple – as it is being subtly implied in many of these films, once people are being allowed to prioritize addressing their individualistic anxieties, it becomes only the matter of time, before they transform into essentially social parasites, incapable of acting as the society’s productive members. In this paper, I will explore the validity of the above statement, in regards to what can be considered the discursive significance of the films ‘The Player’ and ‘Gosford Park’ b y Robert Altman (director). Probably the most memorable aspect of the film ‘The Player’ is that fact that, while working as a studio executive, in charge of selecting the best screenplays to be put into production, the film’s main character Griffin Mill is represented as an individual with utterly tight daily schedules. Thus, Mill’s ability to lead a luxurious lifestyle appears to be warranted to an extent.Advertising Looking for critical writing on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More After all, it is namely the main character’s harworkingness, which formally explains his high social status. Nevertheless, as the film’s plot unravels, it becomes increasingly clear to the audience members that, even though Mill is indeed a rather busy person, his ‘busyness’ appears to have very little to do with the character’s presumed ability to contribute to the societyà ¢â‚¬â„¢s well-being, which would have justified his riches. The rationale behind this suggestion is quite apparent – it is Mill’s talent in selecting individually those screenplays that correlate with the viewers’ animalistic urges, which made it possible for him to attain a high status within the Hollywood movie-making industry. As it is being revealed in one of the film’s final scenes, in order for a particular screenplay to be selected for production, it must feature the elements of suspense, violence, sex and above all – it needs to function a ‘happy ending’ (01.42.32). In other words, it can be well suggested that the line of Mill’s work was concerned with making the ‘Hollywood reality’, seen in the movies, to be fully consistent with the workings of people’s unconscious psyche. On their part, they are being defined by the fact that, physiologically speaking, the representatives of Homo Sapiens species a re nothing but hairless primates (Dawkins 1976). As such, they are naturally driven to strive to be put in the position of having to work as little as possible, without experiencing any material/emotional discomfort, as a result, so that they would be able to preoccupy themselves with experiencing sensual pleasures. After all, it is namely the ‘activity’ of bellyful idling, in time free from abusing the pack’s weaker members and having sex, in which the alpha-male apes indulge 24/7 (Propp 2004). Therefore, by applying an effort into ensuring that, when put into production, the selected screenplays will prove commercially successful; Mill contributed to the process of the American society becoming ever more intellectually marginalized.Advertising We will write a custom critical writing sample on Robert Altman. Global Popular Culture specifically for you for only $16.05 $11/page Learn More Apparently, he was well aware of it, which exp lains why in the scene where the film’s main character is having lunch with his business-associates, he asks for the topic of the ensued conversation not be concerned with the industry, because according to Mill, â€Å"educated people do not discuss Hollywood movies† (00.13.16). However, being an individualistically minded individual, Mill could care less about the fact that, while exposed to the movies produced by his studio, people do grow ‘dumb’. The same can be said about the rest of the high ranking representatives of the Hollywood movie-making industry, seen in ‘The Player’ – these people’s endowment with the strong sense of individualism was naturally causing them to adopt hypocritical attitudes in life. This explains why, despite being aware of the fact that the most successful Hollywood blockbusters are in essence the instruments of the citizens’ continual ‘dumbing’, these people find it thoroughly ap propriate to refer to what they do professionally in terms of art (01.26.13). Even the character of Tom Oakley (a British screenwriter, who came up with the idea to make a ‘realistic’ film about the functioning of the American legal system) ends up allowing his screenplay to be ‘improved’ to the extent of featuring Bruce Willis with the shotgun in his hands, who in the end ‘reestablishes justice’. Thus, there is indeed a good rationale in referring to ‘The Player’, as such that promotes the idea that, contrary to what neo-cons believe, there are some socially counter-beneficial effects to the American people’s endowment with the acute sense of individualism. After all, as it can be seen in the film, it is such their sense that weakens their ability to act as the agents of progress, which in turn undermines the integrity of the American society from within. The reason for this is simple – once people allow their indivi dualistic anxieties to delineate the manner in which they address life-challenges, they turn into ultimate hedonists, completely deprived of the sense of a social responsibleness.Advertising Looking for critical writing on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More The consequence of this is that, despite remaining ‘respectable’ on the outside, the American society continues to regress to the era when it was named the citizens’ varied affiliation with the ‘laws of jungle’, which used to define their chances of social advancement. The validity of this suggestion can be illustrated in regards to the fact that, as ‘The Player’ implies, people associated with the American movie-making industry, have long ago been turned into essentially the representatives of one of the country’s parasitic social classes, whose ability to enjoy a high-quality living does not even slightly reflect their factual worth, as individuals. Therefore, it is fully explainable why the currently dominant social discourse (global culture), reflected by the mainstream Hollywood movies, promotes the values of a blind consumerism, when people are being made to believe that it is possible for them to be able to enjoy prosperity , for as long as they succeed in ‘striking it lucky’. However, as the realities of a contemporary living in America indicate, these values cannot be referred to as anything but counter-productive, in the social sense of this word, because it is specially the citizens’ assumption that they can well lead a socially parasitic existence, which created objective prerequisites for the outbreak of the current economic recession in America (Schelkle 2012). The earlier deployed line of argumentation can also be utilized, within the context of how one may go about defining the discursive significance of the film ‘Gosford Park’. After all, just as it happened to be the case with the earlier analyzed Altman’s movie, ‘Gosford Park’ does convey the subtle message that there is something utterly unnatural about the practice of having people stratified along class lines. What allowed us to identify this message is that, as it being shown in this particular film, the rich and powerful simply do not have any reason, whatsoever, to believe in their factual superiority over the ordinary people. This poses us with the question – if the socially disadvantaged/poor citizens (such as the characters of servants in ‘Gosford Park’) do consciously realize that the ‘nobles’ are by no means superior, what prevents them from adopting an active stance, while exposed to the social injustices? ‘Gosford Park’ provides a thoroughly sound answer to this question – this is because, the upper-class people succeeded in creating a popular culture, which serves the purpose of legitimizing the hegemony of the latter (Katz 2006). The validity of this idea can be explored in regards to the scene, in which the earlier mentioned servants do not only situate themselves at a dinner table (down in the basement) in exactly the same way as their masters did on the upper floor, but they also strive to mimic the mannerisms of those they serve (00.31.46). Apparently, throughout the course of their lives, these servants never ceased being indoctrinated to think of their subservient social status, as a ‘natural’ state of affairs. What it means is that, just as it happened to be the case nowadays in America, the qualitative subtleties of popular culture in pre-war Britain never ceased being reflective of what accounted for the actual agenda of the representatives of social elites – namely, ensuring their continual dominance in the society, divided along class lines. As such, this agenda could not possibly be justified, in the discursive sense of this word, due to having been concerned with the rich and powerful trying to slow down the pace of a historical progress – all for the sake of being able to enjoy high living standards, without even having to move a finger (Tomlin 2013). However, as sociologists and historians are being well aware of, when due to their hig h social status, people are allowed to lead an essentially parasitic lifestyle, it becomes only the matter of time before they turn into the bunch of degenerates – just as it happened to be the case with the ‘socially-upstanding’ characters in ‘Gosford Park’. Thus, it will only be logical to conclude this paper by reinstating once again that there is indeed a good reason to refer to both films, as such that imply that there are certain overtones of decadence to the rise and the considerable refinement a global popular culture, as we know it. References Dawkins, R 1976, The selfish gene, Oxford University Press, Oxford. Elhefnawy, N 2007, ‘On Dark Ages’, Futurist, vol. 41. No. 6, pp. 14-19. Gosford park 2001, DVD, Shepperton Studios, London, UK. Katz, H 2006, ‘Gramsci, hegemony, and global civil society networks’, Voluntas: International Journal of Voluntary Nonprofit Organizations, vol. 17. no. 4, pp. 332-347. Propp, W 2004 , ‘Acting like apes’, BR, vol. 20. no. 3, pp. 34-46. Schelkle, W 2012, ‘A crisis of what? Mortgage credit markets and the social policy of promoting homeownership in the United States and in Europe’, Politics Society, vol. 40. no.1, pp. 59-80. The player 1992, DVD, Avenue Pictures, Los Angeles, US. Tomlin, P 2013, ‘Choices chance and change: luck egalitarianism over time’, Ethical Theory Moral Practice, vol. 16. no. 2, pp. 393-407. This critical writing on Robert Altman. Global Popular Culture was written and submitted by user Nelson Mclean to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.