Roisin as a Secular Western Woman in the Film by Ken Loach Research Paper

Roisin as a Secular wolframern Woman in the Film by Ken Loach - Research make-up ExampleAs the film begins, Casim is shown working as a disc jockey in a club, playing Arabic music. In this scene, the multitude primarily consisting of young British-Pakistanis is depicted dancing wildly to the music. This crowd contravenes the common precept of Islam as a largely conservative faith. It is also fairly unconventional for a Muslim to work as a deejay as Casim does. This scene clearly illustrates the extensive influence that unconsecrated western values have had on Islam, and especi tout ensembley on second-generation Muslims. It is evident that these young adults are non devout adherents of Islam and its traditions, like their parents. This lack of complete devotion could be attributed to their intermingling with other cultures and desire to be accredited in a rather diverse society (Ernst 5). Another scene focusing on religion in Ae Fond Kiss is that of Tahara delivering a speech in front of students during what appears to be a kinfolk debate (0248-0421). The debate evidently revolves around the due wests unified crusade against global terrorism, as shown on the whiteboard. Tahara presents a strong argument stating that she defies the universal definition of terrorism as provided by the West since it fails to account for the many people subjected to terror in daily circumstances. Most importantly, Tahara says that she rejects the manner in which the West simplifies Muslims. The speech draws ones attention to the stereotypes held by Westerners for Muslims. It also shows how absurd it is to generalize Muslims and link all of them to terrorism, yet they are as diverse as other religions.